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Written by Administrator
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Tuesday, 02 September 2008 |
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It’s unofficial still, but we got advanced word “Clay” has been accepted to screen The B-Movie Underground and Trash Film Festival in the Netherlands. Watch for news eventually at http://www.butff.nl/. |
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Written by Administrator
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Monday, 01 September 2008 |
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Follow the links below for the uncut Bloopers / Outtakes from "Clay". Some of these will end up on the DVD release, but given there's 24 mins worth of them (and those are just the ones I kept, there was 30 mins originally!!!), they'll likely be shaved down a bit on the DVD. And sure, some of these maybe only the cast and crew will truly enjoy - but oh well! Anyway, here they are: Bloopers/Outtakes Pt 1: http://www.youtube.com/watch?v=bkK_2cdyQqk Bloopers/Outtakes Pt 2: http://www.youtube.com/watch?v=9rWDfE2Wz44 Bloopers/Outtakes Pt 3: http://www.youtube.com/watch?v=LzLeN9r4XD4 You may have to ride the audio up and down a bit, as some background noise is a little low. |
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Last Updated ( Monday, 01 September 2008 )
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Matthew Jason Walsh Praises "Clay" |
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Written by Administrator
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Wednesday, 27 August 2008 |
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Matthew Jason Walsh, and old friend who I've worked with in the past (he both acted in early work of mine and then later I produced a short he wrote and directed called "I've Killed Before") got to check out "Clay" and gave it high marks. Matt is best known as a screen writer, having written many a script for Full Moon and well known b-movie filmmaker David DeCoteau. About Clay, he wrote: "CLAY is a unique oddity in the world of independent filmmaking: a horror film that prefers long takes and atmospheric storytelling over ADD-inspired editing and buckets of fake blood, though, when called for, it switches to multiple angle takes and other daring tricks to put you in the mind and eye of a serial killer. Bonk keeps the film drenched in shadows and rust-red hues that continually keep you, the viewer, on guard, even in the most innocuous scenes. The story itself, which centers around a serial killer who apparently believes he was 'molded' from the title substance (and who creates a whole world of clay figurines in his bedroom as either his only friends or a window into his guilt) and an older father figure who may or may not be harboring his own set of secrets, is a unique essay of psychosis and loss (and what lengths people might go to in order not to feel such loss) -- you understand pretty much from the beginning that their worlds will implode from their actions, but exactly how is one of the many tricks CLAY has up its sleeve. I felt that the audience's patience will pay off when you discover that you not only feel a genuine sense of unease throughout the movie, but an emotional investment in the characters themselves, even the ones that are completely beyond redemption. Made for fans of horrific slow-burn character studies like George Romero's MARTIN or John McNaughton's HENRY: PORTRAIT OF A SERIAL KILLER, CLAY is a bold and rewarding experiment, and will hopefully inspire other independent filmmakers to stretch their horizons, as well." More news soon! |
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Last Updated ( Wednesday, 27 August 2008 )
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